http://parts.powercut.co.uk/?risep=%D8%A8%D8%B1%D9%86%D8%A7%D9%85%D8%AC-%D8%A7%D9%84%D8%AE%D9%8A%D8%A7%D8%B1%D8%A7%D8%AA-%D8%A7%D9%84%D8%AB%D9%86%D8%A7%D8%A6%D9%8A%D8%A9-%D8%A7%D9%84%D8%AA%D9%8A-%D8%AA%D8%B9%D9%85%D9%84&634=df I'm an artist/ teacher. enter site My work is completely concerned with context, process and materials. http://www.tyromar.at/?yuwlja=%D8%A8%D9%8A%D8%B9-%D8%A7%D8%B3%D9%87%D9%85-%D8%A7%D8%B3%D9%85%D9%86%D8%AA-%D8%A7%D9%84%D8%B4%D9%85%D8%A7%D9%84&b56=75 I often choose to use 'poor' materials - for example, dust, cardboard, chalk on blackboards, lead, chocolate, ashes, water and other stuff. Perhaps discarded found materials collected between home and studio. Lo-fi audio techniques collecting field recordings, glitched samples, filtered, cut up, reconfigured. توقعات لتداول أسهم الداو جونز I like to give the viewer / audience / student, room to manoeuvre intellectually. see I'm not really interested in simply making work that has to fit on a mantle shelf, an office wall, a stage or a commercial white cube space, however, I am interested in engaging with ideas that subvert or possibly compliment those contexts. follow link My work is sometimes intentionally confrontational, sometimes intentionally beautiful. click Profanities, congested space, white noise, ugly / beautiful, process led - 'making a mark'. الحيل تداول الخيارات الثنائية I try to avoid associations with art HIStory. get link This is my watch 'punk rock'.

ثنائي خيارات التداول ما هو عليه
© Chris Saunders 2015
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